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Primary Sources in the Original Languages

Ancient Texts

The Ancient Texts library gathers primary sources that stand directly behind the music and historical storytelling of 38th Scroll. Each entry presents original-language material, translation or close textual commentary, historical context, and a link back to the composition it helps illuminate.

The archive is intentionally selective rather than encyclopedic: it focuses on passages where reading the ancient text materially changes how the modern song or visual narrative can be understood.

Greek Poetry & Drama

Archilochus · Fragment 5 West

The Abandoned Shield

A lost shield, a surviving speaker, and one of archaic poetry’s sharpest reversals of martial shame.

Related composition: The Hedgehog’s Oath →

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Homer · Iliad 6.466–481

Hector, Astyanax and the Prayer

Astyanax recoils from Hector’s helmet; Hector removes it, embraces his son, and prays for his heroic future.

Related composition: Astyanax →

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Homer · Iliad 16.818–857

Patroclus, Hector and the Prophecy

Hector delivers the fatal blow to the already wounded Patroclus, whose last words foretell Hector’s death.

Related composition: Astyanax →

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Homer · Iliad 22.361–404

Hector’s Death and the Dragging

Hector dies before Troy and Achilles binds the body to his chariot, exposing the city after its defender falls.

Related composition: Astyanax →

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Sophocles · Antigone 450–460

The Unwritten Laws

Antigone appeals to divine ordinances she calls unwritten, unfailing, and older than any mortal decree.

Related composition: Sacred Mask →

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Sophocles · Antigone 499–525

Love, Kinship and the Dead

Creon names Polynices an enemy; Antigone answers through brotherhood, Hades, and her refusal to share in hatred.

Related composition: Sacred Mask →

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Hesiod · Theogony 561–569

Prometheus Steals Fire

Zeus withholds fire and Prometheus steals its far-seen gleam inside a hollow fennel stalk.

Related composition: Forged in Earth →

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Prometheus Bound · 442–506

The Arts Given to Humanity

Prometheus claims writing, number, astronomy, navigation, medicine, divination, metalworking, and the resources hidden in earth.

Related composition: Forged in Earth →

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Homer · Odyssey 8.492–520

The Wooden Horse and the Sack of Troy

Epeius makes the Horse with Athena; Odysseus brings the stratagem into Troy and the hidden Achaeans sack the city.

Related composition: The Ship Remembers →

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Homer · Odyssey 9.526–535

Polyphemus’ Curse

After Odysseus gives his name, Polyphemus asks Poseidon to ruin or delay his homecoming.

Related composition: The Ship Remembers →

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Homer · Odyssey 12.403–425

Zeus Destroys the Last Ship

Zeus strikes the final vessel after the cattle of Helios, and the companions lose their homecoming.

Related composition: The Ship Remembers →

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Aristophanes · Lysistrata 486–499

The War Treasury

Lysistrata explains why the women seized the Acropolis: control the money and stop it financing war.

Related composition: Lysistrata →

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Aristophanes · Lysistrata 829–953

Cinesias and Myrrhine

Myrrhine turns Cinesias’ sexual desperation into an elaborate comic strategy for peace.

Related composition: Lysistrata →

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Pseudo-Homer · Batrachomyomachia 82–100, 294–303

The Drowning and Nightfall

A frog dives from a water-snake and leaves his mouse passenger to drown; later the crabs drive the mice into flight as the sun sets on the one-day battle.

Related composition: By Nightfall →

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Greek History & Prose

Polybius · Histories 8.6.2–4

Archimedes’ Iron Hand

Polybius describes a crane-and-chain device that seized Roman ships during the siege of Syracuse.

Related composition: Burning Mirrors →

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Plutarch · Marcellus 15–16

Archimedes Against the Roman Assault

A later Greek account of stones, missiles, iron hands, and crane-like machines turning the Roman assault into panic.

Related composition: Burning Mirrors →

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Greek Religious & Funerary Texts

Petelia · Gold Tablet

Memory and the Afterlife

A funerary guide directs the deceased toward the lake of Memory and supplies words of divine lineage.

Related composition: The Orphic Path →

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Pelinna · Gold Tablets

Death, Rebirth and Bacchios

A funerary formula declares death and rebirth, invokes Persephone and Bacchios, and promises a blessed post-mortem condition.

Related composition: The Orphic Path →

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Roman History & Politics

Appian · Civil Wars 2.101

Caesar’s Four Triumphs

A Greek-language account of Caesar’s triumphs of 46 BCE and the civil-war tensions that still haunted their imagery.

Related composition: The Serpent Crown →

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Hadrumetum · Roman Racing Defixiones

The Racing Curses of Hadrumetum

Surviving lead curses against charioteers and horses, including Blue-team targets and a Green driver named Archelaos.

Related composition: Prasina →

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Martial · Epigrams 10.50 and 10.53

Scorpus: The Circus and a Life Cut Short

Two Latin poems mourning the celebrated charioteer, with new translation and commentary on racing and mortality.

Related composition: Prasina →

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Suetonius · Domitian 7.1

The Gold and Purple Factions

Domitian adds two factions to the traditional four, creating the six-colour context of Prasina.

Related composition: Prasina →

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Polybius · Histories 3.54

The Alps as Italy’s Citadel

Hannibal shows his exhausted men Italy below the mountains, likened by Polybius to a citadel.

Related composition: The Citadel of Italy →

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Livy · History of Rome 21.35

The Walls and Citadel of Italy

Livy presents Hannibal urging his army beyond the Alpine walls toward Rome, the citadel and capital of Italy.

Related composition: The Citadel of Italy →

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Suetonius · Divus Julius 37

Five Triumphs and Veni, Vidi, Vici

Suetonius distinguishes Caesar’s four triumphs of 46 BCE from the later Spanish triumph and preserves the Pontic slogan.

Related composition: The Serpent Crown →

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Roman Poetry & Prose

Juvenal · Satire 10.77–81

Bread and Circuses

Juvenal’s famous compressed diagnosis of a Roman people exchanging political power for food and spectacle.

Related composition: Blood Circus →

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Seneca · Epistles 7.3–5

The Noon Spectacle

Seneca watches unprotected killings at the midday arena program and turns his disgust toward the spectators themselves.

Related composition: Blood Circus →

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Pliny · Natural History, Preface 13–18

Writing Everything Down

Pliny explains the scale, labour, sources, and purpose behind his enormous encyclopedic undertaking.

Related composition: Write It All Down →

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Pliny the Younger · Letters 6.16

Observation, Rescue and Death at Vesuvius

Selected passages trace Pliny the Elder from observation of the eruption to a rescue mission and his final collapse near Stabiae.

Related composition: Write It All Down →

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Ovid · Tristia 1.7.11–30

The Exiled Poet and His Books

Ovid addresses the fate of his poetry from exile and imagines how his works will survive without him in Rome.

Related composition: Metamorphosis →

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Ovid · Metamorphoses 15.871–879

I Shall Live

The Metamorphoses ends with Ovid claiming that death can take his body but not the poem, the name, or the voice future readers sustain.

Related composition: Metamorphosis →

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