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Greek Poetry & Drama

Homer, Odyssey 8.492–520 — The Wooden Horse and the Sack of Troy

At the court of the Phaeacians, Odysseus asks Demodocus to sing the story of the Wooden Horse. The bard’s song links Epeius, Athena, Odysseus, the hidden Achaean warriors, and the destruction of Troy.

This is the principal Homeric passage behind the Trojan-Horse material in The Ship Remembers, Pt. 1.

It is also a useful corrective to overly simple retellings. Homer does not say that Odysseus personally built the Horse. He says Epeius made it with Athena’s help, while Odysseus brought the stratagem into the citadel and filled the Horse with the warriors who would sack the city.

Original Greek

ἀλλ᾽ ἄγε δὴ μετάβηθι καὶ ἵππου κόσμον ἄεισον δουρατέου, τὸν Ἐπειὸς ἐποίησεν σὺν Ἀθήνῃ, ὅν ποτ᾽ ἐς ἀκρόπολιν δόλον ἤγαγε δῖος Ὀδυσσεὺς ἀνδρῶν ἐμπλήσας οἵ ῥ᾽ Ἴλιον ἐξαλάπαξαν. αἴ κεν δή μοι ταῦτα κατὰ μοῖραν καταλέξῃς, αὐτίκ᾽ ἐγὼ πᾶσιν μυθήσομαι ἀνθρώποισιν, ὡς ἄρα τοι πρόφρων θεὸς ὤπασε θέσπιν ἀοιδήν. ὣς φάθ᾽, ὁ δ᾽ ὁρμηθεὶς θεοῦ ἤρχετο, φαῖνε δ᾽ ἀοιδήν, ἔνθεν ἑλὼν ὡς οἱ μὲν ἐυσσέλμων ἐπὶ νηῶν βάντες ἀπέπλειον, πῦρ ἐν κλισίῃσι βαλόντες, Ἀργεῖοι, τοὶ δ᾽ ἤδη ἀγακλυτὸν ἀμφ᾽ Ὀδυσῆα ἥατ᾽ ἐνὶ Τρώων ἀγορῇ κεκαλυμμένοι ἵππῳ· αὐτοὶ γάρ μιν Τρῶες ἐς ἀκρόπολιν ἐρύσαντο. ὣς ὁ μὲν ἑστήκει, τοὶ δ᾽ ἄκριτα πόλλ᾽ ἀγόρευον ἥμενοι ἀμφ᾽ αὐτόν· τρίχα δέ σφισιν ἥνδανε βουλή, ἠὲ διαπλῆξαι κοῖλον δόρυ νηλέι χαλκῷ, ἢ κατὰ πετράων βαλέειν ἐρύσαντας ἐπ᾽ ἄκρης, ἢ ἐάαν μέγ᾽ ἄγαλμα θεῶν θελκτήριον εἶναι, τῇ περ δὴ καὶ ἔπειτα τελευτήσεσθαι ἔμελλεν· αἶσα γὰρ ἦν ἀπολέσθαι, ἐπὴν πόλις ἀμφικαλύψῃ δουράτεον μέγαν ἵππον, ὅθ᾽ ἥατο πάντες ἄριστοι Ἀργείων Τρώεσσι φόνον καὶ κῆρα φέροντες. ἤειδεν δ᾽ ὡς ἄστυ διέπραθον υἷες Ἀχαιῶν ἱππόθεν ἐκχύμενοι, κοῖλον λόχον ἐκπρολιπόντες. ἄλλον δ᾽ ἄλλῃ ἄειδε πόλιν κεραϊζέμεν αἰπήν, αὐτὰρ Ὀδυσσῆα προτὶ δώματα Δηιφόβοιο βήμεναι, ἠύτ᾽ Ἄρηα σὺν ἀντιθέῳ Μενελάῳ. κεῖθι δὴ αἰνότατον πόλεμον φάτο τολμήσαντα νικῆσαι καὶ ἔπειτα διὰ μεγάθυμον Ἀθήνην.

38th Scroll Translation

Come now, change your song and sing the ordering of the Wooden Horse, which Epeius made together with Athena, the device that glorious Odysseus once brought into the citadel, after filling it with the men who sacked Ilios. If you tell these things to me in due order, I will declare at once to all humankind that a gracious god has granted you inspired song.

So he spoke. The bard, stirred by the god, began his song. He took up the tale where the Argives boarded their well-benched ships and sailed away after setting fire to their huts, while the others around renowned Odysseus already sat hidden in the Horse in the Trojan assembly-place; for the Trojans themselves had dragged it into the citadel.

There it stood while they argued around it. Three plans pleased them: to split the hollow timber with pitiless bronze, to drag it to the height and throw it from the rocks, or to leave it as a great offering to appease the gods. That last course was destined to prevail, for fate had ordained the city’s destruction once it enclosed the great Wooden Horse, where the best of the Argives sat bringing death and doom to the Trojans.

Then he sang how the sons of the Achaeans poured from the Horse, leaving the hollow ambush and sacking the city. He sang how different men ravaged lofty Troy in different places, and how Odysseus went like Ares with godlike Menelaus toward the house of Deiphobus. There, he said, Odysseus dared the fiercest battle and finally prevailed through great-hearted Athena.

Interpretation

This passage gives The Ship Remembers, Pt. 1 excellent support for its emphasis on cunning rather than brute force.

But the allocation of credit matters.

  • Epeius constructs the Horse.
  • Athena assists.
  • Odysseus is central to the guile and the hidden assault.
  • The Achaean warriors inside the Horse carry out the sack.

The song deliberately compresses this network into the figure of Odysseus as “the mind of war.” That is an artistic concentration of Homeric material rather than a literal claim that no one else conceived or executed the stratagem.

From the Text to The Ship Remembers

Part 1 remembers Troy at the moment when victory seems to have opened the road home. The Horse becomes the symbol of the intelligence that ended a ten-year war.

The bitter irony of the cycle is that the same Odysseus whose name becomes attached to this triumph later endangers his own nostos when he insists on attaching his name to the blinding of Polyphemus.

Text and Edition

Greek text checked against the Murray/Perseus text and Dickinson College Commentaries for Odyssey 8.469–520. English translation: 38th Scroll.

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